The Winters

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Review #44: Fiction

First to Read #3

The Winters by Lisa Gabriele

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For the most part, this is a highly enjoyable book. It is equal parts romance, thriller, and suspense, though falls short by having small sparks of each, but never going fully in on any one of these.

The story we’re following is of a young woman (we never get her name, which becomes more and more annoying as it’s specifically mentioned several times throughout that she is either happy or irritated when people pronounce it correctly or incorrectly) who meets a widower in the Cayman Islands while working for a tourist boat company. They have a very quick romance – so quick that it never really feels believable. Their relationship is very one-dimensional and a lot of the plot relies on the believability of their relationship. This lack of chemistry between the two characters (Max Winter and our unnamed protagonist) weakens the book.

Max spirits her away to be married and the new head of his extravagant home – Asherley – on Long Island, and to be a stepmother to his teenage daughter, Dani. Dani is the spitting image of her deceased mother, and behaves toward our protagonist as we would expect a teenager to receive a new mother less than two years after her passing. Though, unchecked, Dani begins to go above and beyond normal rebellious behavior, and soon becomes someone to be feared.

The protagonist (I am also annoyed by having to write ‘protagonist’ rather than a character’s name; it was a weird and bad choice by author and editor to move forward with an unnamed protag) gets closer and closer to Max, thinks she’s making strides with Dani, but time and again finds herself on the receiving end of cruel jokes. As these pranks unfold, Dani becomes more unstable, Max becomes more exasperated, the protagonist begins to learn more and more about the secrets Asherley keeps, the truth behind the death of the first Mrs. Winter, and whether or not she’ll meet the same fate.

To get the thriller elements, Gabriele gives us a lot of unsettling moments, creates a truly scary character in Dani, and keeps us asking questions nearly throughout. She uses a lot of misdirection, and red herrings to try to turn the reader’s attention away from putting the pieces together. Unfortunately, this doesn’t work well enough, and before the protagonist figures it all out, most readers will have already deduced the final twist. This leaves around 30 pages of the book where readers will be left waiting for her to catch up.

In the end, there’s not much to be surprised by, and some ill-advised elements (the protagonist’s lack of name, the random addition of a grandmother in Cuba the protagonist doesn’t mention until the very end of the book, the lack of believable romance) weaken what could be a chilling story about family secrets. Dani is the best written character in the book, and definitely moves the story along in ways the protagonist just can’t when she’s not even given a name, is very loosely fleshed out, and finds herself embroiled in this family soap opera based on a foundation-less romance.

My rating: 3 out of 5 stars

I received access to an e-copy of this book for this review.

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