The Final Silence

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Review #19: Fiction

The Final Silence by Stuart Neville

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*I received this book as an advanced readers copy at the Book Expo America in New York City in May, 2014. The hardcover goes on sale October 28th, 2014.

The newest novel from award winning crime/thriller writer Stuart Neville is a roller coaster of gruesome murders and deadly secrets. This is the fourth installment of his Belfast novels, revolving around now disgraced investigator Jack Lennon.

Rea Carlisle, whose father is a prominent politician, inherits her uncle house after her mother’s brother dies. While cleaning out the house, Rea comes across an upstairs bedroom that is locked. After prying the door open with a crowbar, Rea discovers a secret book. The contents of the book describe several grisly murders; journal entries about committing the crimes, newspaper articles, and even hair clippings and fingernails of the victims.

Rea wants to take the book to the police immediately, however, her father (thinking of his political aspirations) wants to keep the whole thing quiet. Not knowing what to do, and not wanting to keep the book and the crimes a secret, Rea reaches out to an old friend — Jack Lennon. Since Jack is not currently working on the police force, he can’t do much other than look into Rea’s suspicions. But after the book goes missing and another horrible murder is committed, the Belfast police become fully involved.

DCI Serena Flanagan takes the case and, in a sense, (secretly) teams up with Lennon to track down the book, and the killer, before more murders pile up.

The plot moves at breakneck speed, with lots of secrets, lots of lies, and, well, lots of murders, both in the past and the present. Neville sets up an intricate web of good guys, bad guys, and every type of person in between. There are a few twists, and a handful of quick shocks that keep the story moving, and the pressure on DCI Flanagan and Lennon to find the incriminating book, catch the killer, and, in a way, begin to clean up Lennon’s heavily tarnished reputation.

Neville creates deep, flawed, real characters that move this story along just as smoothly as the actions do. Each has a very unique voice, and detailed and specific view of the world and the events that take place, and are genuine in their personalities.

With these characters and the action-packed and chilling plot, Neville does not disappoint old or new fans.

Though this novel stands completely on it’s own, and does a good job of integrating any relevant background information on Lennon and his career and relationship with his daughter and deceased wife’s family, I found my lack of complete understanding of Jack’s history a little annoying. There is a lot of mention of past events dealing with Jack’s police work, his wife and family life, and trauma in his life and his daughter;s that, though ultimately holding no real bearing on the plot, disconnected me from Lennon as a character because I didn’t know the full story. This is not a detriment to the book or Neville’s writing; anything really important was fleshed out, but I was always wanting more information. Whenever something from the past came up, I wished I was being reminded of information I already knew rather than hearing about it for the first time. So, my only issue with reading this novel is that it was my first Lennon book but the fourth in Neville’s Lennon collection. I would suggest anyone interested in this title and Jack Lennon’s story start with Collusion or it’s prequel The Ghosts of Belfast (where Jack is introduced as a minor character).

Basically Neville writes a fast-paced thrilling murder mystery that incorporates a collection of flawed (though in most cases well-intentioned) characters that sends shivers down your spine from the shear twistedness of the crimes.

My rating: 4 out of 5 stars.

*cover art from Amazon.com

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Afterworlds

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Review #16: Fiction

Afterworlds by Scott Westerfeld

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*I received this book as an advanced reader copy from Book Expo America in New York in May. The hardcover will be available 9/23/14.

I absolutely loved Uglies which I read for the first time this summer, and Scott Westerfeld quickly became an author I would read anything by. I was so excited to get this advanced copy at BEA I don’t know how I went so long without reading it. It looks daunting, what with the 600+ pages and all, but it’s a quick, fun and engaging read and in no way felt like it dragged on. So let’s get into what makes Westerfeld’s newest novel so great.

First of all, the premise/execution of it are phenomenal. The book is a novel within a novel essentially. One story line is about Darcy, an 18-year-old recent high school graduate who has written this amazing book (Afterworlds) and sold it for over $100k to a New York publishing house. She moves to New York to work on her edits and to write a sequel (which is part of her contract) and begins meeting YA authors and going on book tours and learning about life in NYC. Darcy’s story revolves around new relationships and her dreams and career verses her parents’ dreams for her to attend college regardless of her writing career. She has a younger sister, Nisha (who is one of my favorite characters) who acts as the middle man between Darcy and her parents and also as Darcy’s financial adviser as she starts living on her own in one of the most expensive cities in the country.

The other aspect of the book is Darcy’s novel itself, which revolves around Lizzie dealing with the blurring of lines between life, death and the afterlife. Lizzie endures a near-death experience and finds herself being able to pass into the afterlife, and interact with ghosts while dealing with her own relationship with her divorced parents, her mother’s childhood secret, and dating a death god. These parts of the book incorporate the Hindu religion in ways that are truly unique in the YA market right now, and blend with the characters from the other story, Darcy’s story, as she is a young Indian girl whose family (loosely) follows Hindu traditions.

The way these two stories melt together is perfect. They are presented in alternating chapters, and at first I thought it would be off-putting, as if I was picking up a different book every chapter. However, we read about Darcy’s thought process through her rewrites in her story and then understand why certain things are happening in Lizzie’s story. They play off of each other in ways that I was not expecting and truly tied both stories, both girls and their struggles with growing up, dealing with secrets, and navigating new relationships, together.

Westerfeld is an imaginative and inspiring writer. Not only did I enjoy both stories, I related to both girls’ struggles in different ways, and he brings much needed diversity to the young adult market. He gives us an Indian protagonist, themes of Hinduism throughout both stories, and two strong, independent and fleshed out female main characters. What he also does is give us both a heterosexual love story and a homosexual one, and the truly amazing part is that it is all woven together seamlessly. It all makes sense, it all feels right and it made me feel that much closer to his characters. Westerfeld has written a novel that the YA market has been missing for far too long; it is everything a modern young adult book should be–diverse, insightful, accepting, thought-provoking and relatable.

I want to give it to everyone I know and tell them to read it now. Westerfeld does so much in these 600+ pages: he pokes fun at the YA writing community; he highlights the publishing industry and its triumphs and shortfalls; he tackles death, murder, and loss; growing up and moving on; following dreams; new friendships and new romantic relationships; and gives a voice to minority subjects and characters with his inclusion of Hinduism and LGBT themes. It’s an important work for YA and is brilliantly executed by an author that I didn’t think could get any better, but with Afterworlds, Westfeld has truly outdone himself.

My rating: 4.5 out of 5 stars